Bored with scales? Join me for a whole month’s worth of 31 different ways to approach scales | Day 27: Shapes. Use scales as a bridge from well-controlled technique to heart-felt music making.
or… WHY speed, weight, and contact point matter. Have you ever wondered how exactly your violin bow makes the strings vibrate? Why does the bow sometimes get a beautiful sound, and sometimes a horrifying sound? And why are speed, weight, and contact point so crucial to getting a good sound? The answer is actually pretty straightforward.
The large-scale requiems seem to get all the attention, but what about other, smaller-scale works that help us through times of loss, grief, and death? Here’s a Top 10 List (plus several honorable mentions) of elegies and other music of mourning for solo strings and chamber ensembles.
Vibrato is something a lot of developing violinists struggle with. It seems so effortless when done well, but it can sure feel like a lot of work to develop. Some violinists claim it can’t be taught – each violinist just has to figure it out. Some teach it by going into great detail about every aspect of arm vibrato, wrist vibrato, finger vibrato, width, and speed ... not to mention finger pressure, finger angle, thumb placement, and more. The truth is probably somewhere in between.