Scales don’t have to be boring! I was stuck in a scale rut, so I spent the month of January 2023 doing scales a different way every day. And I posted each one here as I went. (Scroll down for an index to them.)
The project brought more life to all of my practicing and playing — not just my scales. They aren’t just for practicing intonation or metronomic steadiness. They can be a vehicle for practicing anything related to music-making, from super technical to wildly creative and intensely musical. With so many different ways to look at them, I didn’t get bored with scales at all during the month.
You may want to do the whole month the way I did. Or maybe you’re just looking for ideas for keep your scale practice from getting stale. And these 31 varieties are just a starting point. There are countless more you could do, with a little creativity.
However you approach these, I hope they’ll add a little more variety and interest to your scale practice!
Who is this for?
Which instruments: The whole month of scales is written from a violinist’s perspective, but they all would work equally well on viola. I think everything would also work on the cello and double bass, but some of the technical descriptions may not quite fit.
Wind, brass, and keyboard players: I suspect a lot of these would work on any instrument (especially many of the ones under “Reorganizing the Scale” below). I’d be interested to hear from you about which ones translate into something meaningful on your instrument!
What level: The scales are aimed at those who have command of all the positions, along with all of the basic bow techniques. But if you’re not there yet, you’ll still find a lot of days in this month that will work for you, or that you can adapt to your level. I recommend starting with the section, “For Any Level” below.
Index to the whole month
Here’s an index to the scales I did. You could go through the whole month in order, and follow the same careful progression that I did.
Or you could pick one of the other topics/themes that seem interesting to you and start there.
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Day 10: Ringing With Open Strings
Day 11: The Tuning Machine, Part 1
Day 12: The Tuning Machine, Part 2
Day 13: A Place for Every Note
Day 17: Articulation Experiments
Day 20: Frog-land (and a little violin psychology)
Day 21: The Forearm (Middle of the Bow)
Day 22: The Farthest Reaches (Tip)
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These scales should work for just about any level of playing (with little to no adapting).
Day 10: Ringing With Open Strings
Day 11: The Tuning Machine, Part 1
Day 12: The Tuning Machine, Part 2
Day 20: Frog-land (and a little violin psychology)
Day 21: The Forearm (Middle of the Bow)
Day 22: The Farthest Reaches (Tip)
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These are my personal favorites. They’re the ones I’ll probably keep in regular rotation after this project.
Day 10: Ringing With Open Strings
Day 17: Articulation Experiments
Day 20: Frog-land (and a little violin psychology)
Coda
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Playing around with different ways to divide up the scale and the basic execution of a scale.
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Of course intonation matters all the time, but here it’s main focus.
Day 10: Ringing With Open Strings
Day 11: The Tuning Machine, Part 1
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Essential practice techniques applied to scales. Improve your scales AND your practice technique at the same time.
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Scales are an ideal “neutral ground” for exploring and honing everything you do with your bow, hand, and arm.
Day 17: Articulation Experiments
Day 20: Frog-land (and a little violin psychology)
Day 21: The Forearm (Middle of the Bow)
Day 22: The Farthest Reaches (Tip)
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Musical matters are front and center, making scales an ideal bridge between technique practice and musical performance.
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I’m a violinist and private teacher in the Chicago area, and in a previous musical life I was in a professional string quartet. Teaching violin and chamber music are dear to my heart. Send me a note or leave a comment on a post — I’d love to hear from you.
If you’ve tried any of these scales, I’d love to know what your experience was like! Just post a comment below.